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Monday, September 26, 2011

Cry Till You Laugh - The Part That Ain't Art (Companion book to CD) 2nd Edition Now Available

Cry Till You Laugh — The Part That Ain’t Art 
The 2nd Edition Released October 11th, 2011

208 Pages Paperback Book



Cry Till You Laugh - The Part That Ain’t Art - Book 
About:

As a trailblazing independent artist who lives by the motto “Own Your Own Universe,” Terri Hendrix has spent two decades juggling both her art (making music out of life) and everything that goes into maintaining a “DIY” music career (what she calls “The Part That Ain’t Art.”) So it’s only fitting that the award-winning singer-songwriter’s first book is two books in one: part companion piece to her latest album, Cry Till You Laugh, with lyrics, photos and essays linked to the songs on the record, and part how-to guide for going-your-own way in the music business. The essays dance from “cry” to “laugh” and back again, touching candidly on everything from hilarious road stories and stage-fright jitters to poignant matters of the heart and her life-long battle with epilepsy. It may sound like a crazy mix, but as any fan of Terri Hendrix’s music can attest to, that’s Terri … to a “T.” 

The book has been warmly received by both fans and critics alike, with Michael Corcoran of the Austin American Statesman calling it "equal parts spiritual and practical, honest, funny, useful, revelatory and moving." Once she sold out of the first-edition run of 1,000 copies (within a mere six months after the book's release), Hendrix dove back into the original manuscript, revising and updating much of the "Part That Ain't Art" section (gleaned from her two decades of firsthand experience running her own label, plus years of leading music and songwriting workshops around the country) and also adding a handful of brand new essays. She plans to release the expanded and refined second edition just in time for her participation in the Texas Author Day festivities. 

Here is a taste of what's in the book ... 







Thursday, April 21, 2011

Excerpt from "Cry Till You Laugh - The Part That Ain't Art"

Take me places.

We were touring through the Midwest. One of the perks with our gig that night was that it came with free lodging. Normally, we won’t stay anywhere but a hotel. When you’re on the road, you need your own place to stretch out and hole up in privacy without worrying about being in the company of strangers. But this “lodging” was a free stay at a hoity-toity bed and breakfast in town. From the moment we pulled up into the driveway and I saw the multi-level, lavishly landscaped Victorian home, though, I regretted my decision to stay there. Something about the place just didn’t seem right. Little did I know just how dead-on my gut feeling was.

Having seen our rent car pull up in her drive, the proprietor — who looked like she’d just stepped out of a Vogue magazine — met us at the curb, waved her arms frantically and squawked, “Park DOWN the hill! Park DOWN the hill! This space is for paying guests!” I looked at Lloyd, shaking my head in disbelief. We had tons of gear in our car! Could we not simply load out, and then park the car down the hill? But Lloyd, being a gentleman, backed out with a wave of compliance and did as told. Thirty minutes later, after we hauled our gear from the car back up the hill and to the porch of the B&B, we both heaved sighs of relief. We were finally going to be able to shower and get ready for that night’s show. Lloyd was just about ready to ring the doorbell when the door flew open. It was the proprietor again, standing at the entryway and pointing at our feet. “TAKE YOUR SHOES OFF!”

Okay, now this was going to far. I don’t often let “my girls” out in public, and I’d be damned if I was gonna let this perfectly coifed middle-aged prom queen see my gnarly size 10’s, which were in need of both a pedicure and some Athlete’s Foot powder. But before I could protest, Lloyd was slipping off his boots with a “Will do,” and a “Beautiful place you have here.” I took my shoes off, winced when our hostess raised a plucked eyebrow at my bare flippers (I’d forgotten socks), and waited patiently as she then spread out a sheet on the floor of the lobby — to set our gear on! “We JUST had this WHITE carpeting installed,” she explained. “It’s a DREAM come TRUE. Doesn’t it just make the wallpaper POP?” She looked at me, as if waiting for me to agree with her. She’d have blown a bobby-pin had she known that not but a few weeks prior I’d ripped the wallpaper off the walls and the white carpeting off the floor in my living room, choosing to just deal with bare walls and bald concrete until I could afford to redo the room. The wallpaper was hideous and the white carpet the previous owners had installed didn’t fit my lifestyle or my mutts. Talk about impractical!

“Nice,” I lied, shaking my head in approval. Nice.

Paying guests stayed on the lower levels. Complimentary guests, or “freebies,” as we were called, stayed seven flights up, in the loft. We complimented her on the newly refurbished living room, and shoeless, padded our way up the stairs. I looked back, and over the oiled wooden banister saw that her husband had joined her. He was as put together as his wife, and looked as if he’d coordinated his outfit to match hers. He felt me looking at him, met my gaze, scowled, and continued talking with his wife while pointing at the white carpet and the sheet with our instruments on it.

That night at the gig, the couple from the B&B showed up. Within a few minutes, I realized they weren’t there to support us, but to tout the fact that they were one of the sponsors for the concert series because they provided free rooms for the musicians. Taking note, at the start of the show, I sincerely thanked them for letting us stay at their lovely home. I was about half way through my first set when the two “freebies” (they were on the guest list), sitting front-row and center, both held up slips of papers with the name of their B&B on it. They wanted me to acknowledge them again, before we took a break for intermission. Nice.

I chatted amicably with them during intermission, but was more than a little relieved when I saw them scoot out the door before we began our second set. After the show, Lloyd and I were flat worn out from the events of the day. We’d shuttled our gear up and down that hill so many times that we were beyond exhausted. Once we dutifully removed our shoes and placed our instruments carefully back on the sheet, we decided to relax our aching muscles by taking the proprietor up on the wine she had left on the wooden bar in the living room. I suppose it was her effort to be hospitable — even to the “freebies.” Not wanting to disturb them, as they were both engrossed in a TV show, we didn’t greet them. They were sprawled out on their white sofa with their backs to us, and hadn’t heard us come in. It was the perfect opportunity for me to sneak a couple of glasses of wine. Sure, she had said we could have some! But I still felt uncomfortable — like she’d bite my hand if she had an excuse and I just wanted to stay out of her way. Lloyd bent over the rail of the stairs with his index finger touching his lips and gave me the “Shh,” sign. I guessed he didn’t want them to know we were back yet, either. 

He looked ridiculous standing there in socks. I stifled a giggle as I crept toward the wine and was relieved to find that it had already been opened. I wouldn’t have a corkscrew to wrestle with, or a “pop” they might here hear. I quietly poured two small glasses, placed the bottle exactly back where I’d found it, and turned toward Lloyd to retreat back up the seven flights of stairs to my “room” — which was really just a shoebox with lace curtains. Lloyd’s was on the eighth floor; he was pretty sure his room was actually the attic.

I’m not sure how it happened, as there were no obstacles between the staircase and me. But I tripped. Somehow, I managed to keep hold of both glasses — while the contents of each flew out and landed in red splatters on the white carpet. I looked up at Lloyd. He was pale-faced and mortified. In perfect, comic synchronicity, our heads snapped towards the TV room; remarkably, our hosts hadn’t heard a thing! I softly walked to Lloyd and handed him the glasses. He shook his head in disbelief and snuck up the stairs, leaving me to fend for myself! I realized that if I crawled on my belly to my backpack, they wouldn’t be able to see me. I had a towel in there I could use to clean this up! Yep, the commemorative towel given to me by my friends Steve and Johnnie from WGN in Chicago that boasted, “In with the goat — out with the curse,” celebrating the Cubs and their victories in 2005.

The B&B couple continued to watch TV, their arms draped lovingly around one another … in matching sweaters? No, surely not. I shook my head and, not 10 feet behind them, went back to the crisis at hand — clawing at the carpet with my goat towel like an unleashed hellhound. Luckily, they had treated their carpet with some type of stain-guard. So with effort, and more than a few prayers, most of the wine came right out. Most of it.

The next morning, we crept downstairs and loaded out of their home before they awoke, while it was still dark outside. I left a thank-you note and some CDs on their spotless marble countertops. Once outside, I noticed that besides us “freebies,” they had no guests. Zilch. But that hadn’t stopped the owners from placing a large clay pot in the parking space next to theirs. Flowers were spilling over the sides of the pot, and in the middle of the colorful bouquet was what looked like a freshly painted sign that read, “GUEST PARKING ONLY AT ALL TIMES.”

Nice, I thought. Lloyd must not have noticed the sign, because he was a gentleman through and through and had he seen it, I was certain he wouldn’t have pulled our rental right up to the base of that clay pot. We loaded up in haste, and as we disappeared around the corner I could swear I saw the hostess burst out of the house with arms waving.

Nice. 



By Terri Hendrix
THM Music (C) (P) 2010

"Cry Till You Laugh - The Part That Ain't Art" 


Wednesday, March 09, 2011

Compassion for the Curmudgeon

"When any of us are told
That there are too many people in the arts
And that the internet has overloaded us
And leveled the playing field
I always remind gloomy doomsayers
That there are never too many sunsets
And that there is never enough beauty
So we must all stay creative."

— David Amran 

His lonely
Is only
A blank space
In the hallway
On the wallway
Between the hanging
Of paintings
Of lonely
That ain't lonely
At all...
Well...the Art Mob's out tonight
Yeah...the Art Mob's out tonight
Ahhh...you better look good
Yeah...you better act right
'Cause,
The Art Mob's out tonight
Waaaaaaaaaaaaaaaaaaaaaaaahhhh!!! 

 — Terry Allen "Art Mob" 
I'm a music fan and an ardent record buyer. I buy more music than I should and more than I can probably afford. I find that it keeps me inspired. I get lots of music for free. I have boxes of free CDs given to me by other artists out there on the road. Between independent music and the music I buy that reaches my radar for one reason or another, I stay pretty satisfied as a whole with my music library. I do have to invest in it. it takes time, research, and money for me to stay in the loop of what's happening musically. I have every single record Levon Helm has released. He's knocking it out of the park in his 70's! He has a career spanning decades for a reason. He plays in tune. He plays in time.
I find the history of American music just as fascinating as those that write about it. Only if, of course, they have listened to the music and delved into the entire catalogues of the music and artists they intend on writing about.  
On this end, I just like music. From those making millions to those surviving off a tip jar. If it's in tune and in time, I'll find it and buy it. Terry Allen's "Salivation," was never on the pop charts. Yet, his influence on up and coming artists borders on the surreal. The same can be said about Richard Buckner. I have bought every single one of Lady GaGa's records. I like to stay in the loop. Whenever someone questions my musical taste on an artist, I always ask if they are truly familiar with the music I like, that they find questionable. More often than not, they don't know one song by the artist they "don't get." The worst would be folks I know who get their music for free and never buy music or invest in their own music library.  
I danced and kissed the moon to ABBA on New Year's Eve even though their song "Chiquitita" makes me laugh - and not in a good way. I have no shame when it comes to buying music. I am only ashamed I maxed out my Visa on it. 
American Idol is what it is. At least folks are learning what "in tune" means. I think gatekeepers in the music industry are fans in "suits." They like what makes the register ring. Personally, I prefer the old fashioned way of making a living doing music. But I still like American Idol. 
Bands like Civil Wars, who are rising up the charts organically through word of mouth, are refreshing. Same can be said with Mumford and Sons. 
Will the Black Eyed Peas, "My Humps" (in rotation on my ipod right next to Snooky Pryor) be around in a decade? I doubt it. But god-willing my "Lovely lady lumps" will be — at a record store near you. In search of something or someone new to blow me away. It's out there. Always. 

Terri Hendrix

Sunday, March 06, 2011

Fruitcake or Coffee?

Confession: I did not run the half marathon today (March 6th, 2011). I got in late from my gig last night. I woke up at 5:00 in the morning and did my stretches. I thought about how hard I trained for this half marathon. I even ate fruit AND ran in the snow (two things I dislike as much as lima beans). 


I thought about my intentions, the Epilepsy Foundation, last weekend and my goofy eyeball, and my gigs in AZ this week. I did the smart thing. I went back to bed. I shoot for the moon. Sometimes I miss. But the sky sure is pretty when I'm flying.


Thanks for your support. If you are a stranger reading this, don't stay a stranger. Come see me play. 
Kind Regards, Terri Hendrix

Wednesday, March 02, 2011

March GoatNotes

"Thought allied fearlessly to purpose becomes creative force."
- James Allen from "As You Think"

As the gun goes off and 2011 rounds the corner into Spring, I'm reminded of my days running track in high school. I vividly recall the acrid scent of those track meets - a heady mix of sweat, Gatorade and a little bit of Icy Hot. Before the mile relay (my event), I would stand with my teammates at the side of the field, my heart pounding in my chest as I extended one leg, dipped my nose towards my kneecap, and streeetched one arm to touch my toes. Fear and dread would poke the corners of my confidence, digging in like the cleats on the soles of my track shoes. I kept to myself as my teammates joked amongst themselves. "Will I be the one to drop the baton?" I would ask myself nervously, shuffling from foot to foot in warm-up-anxiety mode. "If I do, I'll die. I'll surely die!" Wiping my sweating palms on blue polyester bloomers, I'd size up the competition on the other teams out of the corner of my eyes and pray profusely: "God ... God ... God ... help me."

Always, every race, the same fear, the same prayer. And rituals? Whew! Did I ever have superstitious rituals to insure victory. Prior to race day, I'd eat one apple (one and only one - I hate fruit.), and I'd load up on carbs with a spaghetti dinner at Mrs. Martz's across the street (only she could make the pre-race-day meal). And on race day, I'd always wear my lucky socks: white, with fluffy blue balls on the back - to match my bloomers.

Before those big meets, I would also scratch in ink (real tiny) on my desk the acronym "NTMO," which stood for "next time meet over." I know what you're thinking: "Huh?" See, for me, the goal was to return from the track meet and look at that desk with pride on the race I had run. If I let fear ruin my game, then when I reached my desk come Monday morning, I had that "NTMO" to face with disappointment in myself. Odd, it's true, but "NTMO" helped me get through that time in my life when I was 120 pounds of awkward girl on shaky, knobby knees with pimpled skin and braces - a time in my life when, even though I didn't appreciate it then, I was fortunate to only have races to worry about. Well, races and passing geometry.

Aside from youth, though, not much has changed since those days. True, I'm not as limber as I once was - my joints creak even thinking about my old warm-up stretches; but I still use Icy Hot (more these days than back then), and I'm still with teammates on a field. Sure, the teams and jerseys have changed over the years - which is good, because you could not pay me to wear those bloomers they made us run in - but I'm still in the race. And I still enter each year (or race) with superstition and prayer. At the starting line, I make a point of eating at least one black-eyed pea, which I hate about as much as I hate fruit. And, just as I did in my youth, I try to down at least one apple on gig day (I'll eat an apple, but NEVER kiwi - anything green that has hair long enough to shave, I ain't eatin'). And I set goals (like ... eat more fruit). But the truly bizarre thing is that, all these years after my high-school track days, I still find myself writing "NTMO." I've grown out of scratching it on desks, but sure enough, before big shows, there I am scratching it out on a notepad in my music room.

It's funny how those quirky things can stay with you, even when you're supposedly "all grown up." But then again, what's "grown up" mean, anyway? Most folks I know that are "all grown up" have let the light go out in their soul. They have settled for existence.

I want there to be more to my life than just mere existence. It bothers me when I find myself glued to the Weather Channel or stuck in an autopilot loop of just flying and landing and driving from gig to gig and setting up and tearing down my equipment.

No matter what I do, where I go, or whatever trials this year might have in store for me, I want to remember my ability to laugh. I want to savor the moments that are worth remembering by jotting them down in my spiral-bound notebook. I want joy. And hope. And inspiration. And above all, a sense of purpose. Even if that sense of purpose is defined by coming home to my latest scribbled "NTMO" and knowing in my heart that I ran - and played - my best.

(C)(P) Terri Hendrix
Essay is from my book, "Cry Till You Laugh - The Part That Ain't Art" available in my store.

March Dates

March 2011All shows will be W/Lloyd Maines

Sat. 3/5/11 @ 7:00 PM
Marble Falls, TX
Sana Vida

507 Hwy 1431 East
830-693-6000
sanavida.info

Sun. 3/6/11
San Marcos, TX
Moe's Better Half Marathon

Running Half Marathon
Info on the OYOU: wiloryrecords.com
Last October, I began training for a half marathon. I'll run Moe's Better Half Marathon on March 6th, 2011. Throughout the month of March, I'll be running and raising awareness for the Epilepsy Foundation of Central and South Texas.

Thur. 3/10/11 @ 7:30
Cave Creek, AZ
Cave Creek Coffee Company

6033 East cave Creek Road
480-488-0603

Fri. 3/11/11
Workshop at Roberto - Venn School of Luthiery
Cottonwood, AZ


Fri. 3/11/11 @ 7:30 PM
Cottonwood, AZ Old Town Center for the Arts

W/Special Guest Dan Engler
633 N. 5th Street
928-634-0940
oldtowncenter.org

Sat. 3/12/11
Workshop 2:00 - 3:30 PM "The Part That Ain't Art"
Tucson, AZ
Plaza Palominio

520-319-9966

Showtime: 7:30 PM
Tucson, AZ
Plaza Palominio

Suite 147
(Southeast corner of Swan & Ft. Lowell
2970 North Swan Road
520-319-9966 Information for workshop and show
rhythmandroots.org

Wed. 3/16/11 @ 4:00 PM
Austin, TX
G&S Lounge

2420 South 1st Street
SXSW Festivities
Third Coast Magazine Party

Fri. 3/18/11 @ 2:20 PM
Austin, TX
Maggie Mae's

Gibson Guitar Showcase
SXSW Festivities

Fri. 3/18/11 @ 7:30 PM
Austin, TX
St. Vincent de Paul
  1327 S. Congress (in parking lot)

Lone Star Music Stage
SXSW Festivities
lonestarmusic.com

Sat. 3/19/11 @ 7:00 PM
San Marcos, TX
Price Seniors Center

Greater San Marcos Area Seniors Association
222 W. San Antonio Street
This is a benefit for the Price Seniors Center. Performance is to be held in the historic 1910 room with desserts, meet and greet, and a book signing held during intermission. Cash wine bar! Advance tickets and information:
Buy 1 = $20
Buy 2 = $30
Come help support this historic center.
512-392-2900
priceseniorscenter.org
Purchase tickets right here and get a free "Cry Till You Laugh" CD with your ticket! (Click link below)

Fri. 3/25/11 @ 9:00 PM
Galveston, TX
Old Quarter

Please bring supplies for local animal shelter.
Food, leashes, and old towels are needed.
W/Special guest Marina Rocks
413 20th Street
409-795-7777

Sat. 3/26/11
Purple Day

http://www.purpleday.org

Sun. 3/27/11 @ 7:30 PM
The Woodlands, TX
Dosey Doe
W/Band

Montgomery County Women's Center Benefit
25911 Interstate 45
281-367-3774
http://www.doseydoe.com

http://myemail.constantcontact.com/Terri-Hendrix--March-2011-Tour-Dates-and-GoatNotes.html?soid=1101187148161&aid=3NOfkeAUShs

http://myemail.constantcontact.com/Terri-Hendrix--March-2011-Tour-Dates-and-GoatNotes.html?soid=1101187148161&aid=3NOfkeAUShs

Wednesday, February 09, 2011

February 2011 "The Love Boat Versus Lip Rot"

Greetings from San Marcos, Texas
Greetings fellow Aquarians and Amigos!

Given that February is the month of love, I feel I must address the fact that I don't write too many love songs. I suppose one reason, is that I'm not exactly the romantic type. If potential suitors were to crawl up after me on a vine, I'd mace them. I suppose I learned these survival techniques from my mom. When I was a kid, she'd say stuff like, "If you get kissed, your lips will rot." She'd follow this warning with, "Danger, danger everyone's a stranger - run!" As a kid, I lived in fear of catching "something" or someone catching me. Sex Education did not make my fears subside one bit. If anything, I now had pictures to accompany what could potentially happen to me if I kissed anyone.

I was too young to realize that my mom was trying to protect me from the dangers young girls can find themselves. I was so clueless, that I'd even wonder why the lips didn't rot off the faces of my favorite TV stars. They got lots of kisses. Especially on the series, "The Love Boat." I'd perch in front of our black and white television and catch every episode and kiss I could. Our old TV sported rabbit ears and a channel dial as big as a dinner plate. It had a booty on it that rivaled J.Lo's. This was of course, before flat screens, cable, DVDs, or a remote control.

Back then, it seemed like every time I'd catch an episode of "The Love Boat," it would coincide with the exact day that my braces were tightened. My mouth would hurt so bad that my eyes would water. To ease the pain, I'd sit there, with an icepack stuck to my face and silently curse the captain of "The Love Boat." I was envious that he was so well versed on all things love. He was wise. And I felt like a dumb-dumb.

Life grew even more interesting for me, after my orthodontist introduced my "Brace-Face" to headgear. He beamed and quacked, "No one will notice at school." I'm not sure what planet he was on. I guess my mother was happy, because me wearing headgear would definitely prevent me from being kissed, and thus contracting lip rot.

Had I not been so mortified at the thought of wearing headgear to school, I would have had fun with my situation. I'd have stuck magnets on its rim and hung charms around my mouth. I was too young to see the humor in it and too selfish to thank my parents for fixing my teeth. Age can wait. Wisdom can hurry. It took too long for me to be thankful.

Years passed, and my stubborn teeth refused to conform. My orthodontist remained undaunted and my trips to his office continued well into high school. Finally, not even braces, headgear, or fear would stop me from puckering up my lips and kissing the kid with the sandy brown hair. I puckered and puckered and puckered. When I was assured no germs would meet my tongue, we kissed. It should come as no surprise to you, that the kid with the sandy brown hair told everyone at school about our first kiss. I think the exact words were, "She kisses like a fish." I wish I would have made fun of those bullies and that kid with the sandy brown hair. I would have jabbed my finger in their chests and yelled, "Fish Kisser!" Because they'd obviously all had experience kissing fish. You can't run from bullies. They have lip rot. You have to square your jaw, and run at bullies and squirt their lips with truth, piss, and vinegar. These days, I suppose you also have to pray they don't have a gun.

When I was young, I was so busy running away or chasing after unrequited love, that I didn't see I was surrounded by true unconditional love. I've been unable to write a song about that type of love. The love that accepts you for who you are - where you are. The love that lets you be yourself - unedited. Warts and all. The love that makes you reach beyond yourself and be a little less selfish and a little more giving. A love that's compassionate. A love that listens. A love that lives each day to the fullest and expects you to do the same. A love that won't settle for doldrums and depression. A love that does not want to swallow you, hover around like a mosquito, or pull you under the waves. A love that strengthens. A love that has its own life. A love that knows not of jealousy - only of trust. A love without lies. A love without cages, fences, walls, or borders. A love that embraces faith. A love that sees God. Loves God. But does not fear God or speak for God. A love that does not judge, exile, kill, draw blood, or throw stones.

Perhaps I don't write love songs, because the music has already been written. It perches in my heart and sings its own tune and dances to its own drum. I love to live. I live to love.

My mom said, "Always be who you are. Then you don't have to worry about remembering who it was you pretended to be." She had it right. Perhaps she was a little "off" with her motherly advise in my youth, but for the most part, she had it right. There is such a thing as lip rot. It's the opposite of love. It's hate. And when I see it, I do run from it. A bully is usually just insecure and harmless. But folks who hate, they are a worrisome lot. I don't run because I'm scared of hate. I run because haters usually can't be reasoned with at all. Regardless, Cupid's got my back.

Happy Valentine's Day!
Terri Hendrix

(C)(P) THM Music February 2011
Dates are shows with Lloyd Maines.

Sat. 2/1/11
Street Date Release: Book (Companion to "Cry Till You Laugh" CD)

"Cry Till You Laugh - The Part That Ain't Art"
Available at my store and Amazon.com
Book signings will be posted shortly.

Sat. 2/5/11 @ 8:00
Port Aransas, TX

Third Coast Music Theater
502 East Avenue G
361-749-4294
http://www.thirdcoastmusic.biz

We'll return to annual Austin and Houston shows Valentines 2012. This came up, and it conflicted with the annual dates. Thanks for understanding.

Fri. 2/11/11
Abilene, TX

Hardin Simmons University
Distinguished Alumni Awards Banquet
2200 Hickory
325-670-1000

Sat. 2/12/11 @ 7:15
Lubbock, TX

Rockin' Box 33 Concerts
SOLD OUT

Fri. 2/25/11 @ 8:00 PM
Dallas, TX

AllGood Cafe
2934 Main Street
214-742-5362

Sat. 2/26/11 @ 8:00 PM
La Grange, TX

The Bugle Boy
1051 North Jefferson Street (Hwy 77)
979-968-9944
http://www.thebugleboy.org

January AZ dates were rescheduled to this March 10th, 11th, and 12th. Please come see us.